SCBWI Draw This

Reflection: A 1930’s Snow White

10/20/2015 By Mishka in Children's, Deco Era Fairytales, SCBWI, SCBWI Draw This

Do you know what the enemy of “good” is?

It’s “better.”

A little about the piece:
This piece is “Snow White and the Queen.” I’m continuing on my theme of fairy tales set in the early-ish 1900’s with a more theatrical Art Deco, old Hollywood setting.

I wanted to keep a little of the light = good/dark = evil symbolism as well as the hints of Snow White with a cobalt blue “Depression-Era” pitcher containing… something unknown and possibly vile, and of course the apple on the newell post.

I am not sure where the idea of the talking face in the mirror came from in the traditional Snow White depictions – possibly Disney? But my molded face atop the glass worked perfectly with the Art Deco design.

This mirrored dressing table is based on the silhouette of a piece I found on Google images but I changed the design to gold hard-edged roses. I also used this design on the Queen’s dress and the bannister.

Other Notes:
Today is the deadline for SCBWI’s November Draw This! showcase. As I’m still easing into colored pencil techniques, I decided to try mixing it up a little bit and combined regular pencils with some blue Derwent ink pencil and regular Derwent watercolor pencil (which I also just discovered I own – it would seem I’m an art supply hoarder). I also got a water brush. What a concept! I’m still undecided on the paper. I used Strathmore Bristol 400 which seems to have a bit more tooth than I’d like.

Because I was trying some new things, I dragged my feet a little. I didn’t want to screw up what I’d already done by failing at new techniques. Also, I still haven’t really pushed my contrast as much as I could. I realize I’m being timid about it and I see a couple of things I could have done better to add a bit more drama.

Tonight, after we got the kids to bed, I figured I’d put the finishing touches on the piece before submitting it and decided the wall behind Snow looked a little bare. So I drew in some stones. Being tired from Jaegerling2 being up part of the night (he’s 2… maybe he’s teething those last molars?) I drew the stones rather ham-handed and a bit too dark.

Oh fudge. That’s it. Time’s up. Pencils down.

Luckily, it was a fairly straighforward clean-up in Photoshop. But I’m annoyed about it because I deliberately used gold opaque watercolor on the “wallpaper” pattern because I wanted the original to look really cool and shiney. I knew full well the gold would scan in umber tones (I’ve at least done THAT before). So the original looks really bright and colorful — the digital reproductions never really capture the depth of the color we achieve on paper — except for those dang stones.

Oh well. Call it “done” and move on.

All in all, I do like how it turned out. Though it probably could use a cat. There was a cat in my original sketch but he seems to have wandered off.

Enchanted: A 1920’s Cinderella

9/21/2015 By Mishka in Children's, Deco Era Fairytales, General, Other Challenges, SCBWI, SCBWI Draw This, Work

Sometimes when you’re tired, you do and say dumb things and then you *facepalm* and groan and hope you didn’t screw up too badly. I really need to get the littlest Jaegerling’s sleep schedule and my own to be better aligned (he’s two. what can I say?).

Anyway, Penguin childrens’ book art director and mentor Giuseppe Castellano hosted a #twitterclass where he gave some really great twitter critiques of every illustration submission he received between 9 and 10pm. I was tired and had found out about the “class” 5 minutes before it began so I was more focused on quickly finding something recent and remotely critique-worthy to post than editing my tweet to say exactly what I meant. I wrote “Still working towards style.” By “style” I really meant a flow, an ease of technique and process. I didn’t mean my own personal voice. It was a poor choice of word. *Facepalm.* Mr. Castellano referred me to his blog post on style (which I had already read) that’s pretty much about why he dislikes the word.

After I got over feeling stupid, I read the rest of the critique tweet. Mr. Castellano also mentioned that my drawing looked too outlined and that the colored pencil wasn’t working well with the paper. True and true. I have been using cheaper materials, working on the theory that if I could make something nice with cheaper materials, I should be able to make something even better with GOOD materials. I also wanted to make sure I even wanted to continue with pencils and explore the feel of other brands before I invested a hundred or so dollars in a standard Prismacolor set.

I do have other materials in my cabinets, though. So I dug out some Bristol and unearthed a set of Mitsubishi colored pencils that someone (probably my artist aunt) had given me years ago, grabbed a sketchbook, and set to work on a pice for the SCBWI “Draw This” monthly challenge for October.

I only left myself 2 days to produce something so I challenged myself Project Runway style. Make something work. The challenge word is “Enchanted.” Go.

Because I’ve been focusing on my process (and not because this is a masterpiece by any stretch), I’m going to step through what I did to create this piece. I welcome any professional advice on the media and my process because I’m still learning by doing (and probably always will be). This piece reflects some of the skills I’ve been working on in my #100DaysOfSimple project. I’m working faster, a little looser, and with a little more line efficiency than I had been previously.

I don’t remember why but I had been looking at some Erte prints recently so I felt a little deco-inspired. Not sure why I picked Cinderella but that’s what came to mind. I deemed my third sketch satisfactory. The rest of my procedual notes are in the captions of the slideshow below.

Original messy pencil sketch. Conceptually, I also wanted to give a nod to the “Upstairs/Downstairs” theme of Cinderella’s story. So the prince is above and Cinder is below running past the servant’s entrance.

“Inked” over the background in Adobe Flash to help keep it simple.

Light-table hand-inked the characters and composited them in Photoshop. I had wanted to keep the inks and color beneath them but printing back to Bristol didn’t keep the sharpness of the line. I was losing too much detail on Cinder. I later discovered that it was the scanner, not the printer where I was losing quality. Lesson learned.

So I gave up on keeping the inks and instead, printed them at 10% opacity on Bristol to color over them.

The finished, uncropped, version. No ink lines at all. Still learning. I think I still need to push lights and darks a little more and work on shadows. But all in all, not bad. I decided to call it “done” before I overworked it trying to “fix” things. Though in the age of digital, everything can be revisited.

“Gold From the Breakfast Tray”

6/22/2015 By Mishka in Children's, etsy, General, Other Challenges, SCBWI, SCBWI Draw This, Work

It would appear that I’ve fallen into a hole the past couple of months since the February drawing challenge. I kind of did. I’ve been busy with odds and ends and little things here and there, work projects, the end of school… And I called up my website just now to see my last image posted was a snowman. Hmmm that won’t do for the first day of summer!

So, here’s a a nice summer image. I’m calling it, “Gold From the Breakfast Tray.” If you’re at all familiar with my artwork, you’ll know I’m often inspired by music. The inspiration here is a lyric from the 10,000 Maniacs song, “Verdi Cries“. I’ve loved this song since I first heard it in the late 1980’s.

Natalie Merchant’s choice of words feels so nostalgiac and other-timely. It’s not what I’d call a mood piece from the 1980’s. So I chose to set my piece in 1910 at a Victorian-era rooming house by the sea. I’ve always listened to this song from the perspective of a carefree girl (who I picture much younger than a 20 year old Natalie) just doing as she pleases, not caring so much why the melancholy man in room 119 sat alone, listening to opera every day.

It also seems to have made a good bedtime song for my 4 year old daughter, who has been asking me to sing it to her every night for the last month (and yes, she posed for me.)

My own experiences, of course, influenced the piece’s mood. I’ve spent various wanderings in my life and stays in various places by various seas, enjoying morning light on the beach, sunny days running in the surf, and cool, late afternoon baths ending in slightly sandy, sunburnt naps on crisp white linen. There were bright colors, bright days, cool porches and halls, and brilliant, restful nights of wild stars and storms far out at sea. “Holidays must end, as you know…”

My three girls are staying the summer at this rooming house. They’re equipped for their next grand adventure in the dunes, E. Nesbitt-style with nets, pails, buckets… The blonde girl can’t resist curiosity anymore. Every day she’s passed this breakfast tray returned to the hall with a napkin-covered basket left un-touched. She’s finally stopped and lifted the napkin to discover the delicious pastries left untouched by the man in room 119. “Waste-not, want, not,” she decides and puts them into her picnic basket, pausing to sample one as the other girls call from the porch steps for her to hurry along.

Some technical details… I submitted my first pencil sketch for review on Facebook’s “PB Illustrators Critique Group” Got some great feedback and did some updating, re-sketching, and noodling of layouts in Photoshop. I then printed out the blackline at 20% on watercolor paper and painted over it. I really did NOT intend to do so much of this piece in actual paint (oh heaven forfend! ha.). I did put the whole thing back into Photoshop and messed around with some clean-up and lighting (yes, you can tell). I’m generally pleased with the results, though I feel like I lost a bit of detail from the original sketches. This is probably a good thing because when I color on the computer, not matter how hard I try not to, I always zoom in too much and spend too much time noodling sharp detail in the backgorund. Anyway, I think I will continue to work with this technique. Thank you to Sylvia Liu and Tami Traylor for further critiques and advice.

This piece was created, predominantly, for Susanna Leonard Hill’s “2nd Annual Pretty Much World Famous Illustration Contest For Children’s Illustrators!!!” with the challenge prompt, “Discovery,” and secondarily for the SCBWI’s new monthly showcase (which is not a contest or competition so a few of us decided it would be ok to also submit to SCBWI) called, Draw This! with the challenge prompt “Adventure.” (I believe they change the content of that link on the first of the month so it’s showing last month’s “Bounce” showcase for the next week or so).

I’m also making this illustration available to purchase as a print (contact me for the details). I’m aiming to have a “Prints” section of my Etsy shop on line by the beginning of July.

Now I just want a mojito… Cheers to the beginning of summer.